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Abstract


MODAL AND FORM ANALYSIS OF TANBURİ CEMİL’S ISFAHAN PEŞREV (OVERTURE) WHICH REGİSTERED IN TRT REPERTOIRE

In this study, aiming to analyse of the instrumental works of Tanburi Cemil Bey in terms of form and maqam as peşrev, saz semaisi, longa, sirto, zeybek and oyun havası which are listed in the TRT (Turkish Radio and Television Corporation) archive are chosen. It is aimed to determine if the instrumental works of Tanburi Cemil Bey shows parallelism with the usage of form and maqam in the history of Turkish maqam theory and practice by using scientific and academic methods. In this study a qualitative research method was used. A singular scanning model was implemented, in order to collect and analyse data. It was concluded that Tanburi Cemil Bey’s original approach regarding processing of some maqams showed some differences in characteristics of processing of the maqams, and that maqam descriptions in the history of Turkish maqam and the structure of maqam processing of some works of Cemil Bey were different.



Keywords
Tanburi Cemil, Türkish Music, Saz Semaisi, Peşrev (overture)



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